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Showing posts with label Pop. Show all posts
Showing posts with label Pop. Show all posts

YUI - I Loved Yesterday Full Album


I Loved Yesterday continues Yui's winning streak -- it's Yui's third release along with the second to top the Oricon charts, using the debut album making it to the superior five. It's a deserved success, though there's not much to differentiate it from her previous efforts; is still acoustic guitar, professional arrangements (no budget cuts on strings, climax nothing in close proximity to orchestra size), and many Yui's singing, that is a wise move, since she sounds childish, nevertheless the good form of childish, as well as strong and versatile. There are moments when Yui almost shows the opportunity to become a Japanese Avril Lavigne, as an example, within the rocking interlude "No Way" specifically on "Daydreamer," at the outset of which she even is able to replicate Avril's bad girl vibe in their own voice. However, besides those moments, Yui is content to visit a safe musical route, being dedicated to her trademark semi-ballads and relying more about channeling the continuous flow of sweet guitar pop than about the strength of individual songs, that can in the mellow and dynamic variety, but have a similar emotional content, the keywords definitely being "summertime" and "youth" (titles like "Summer Song" and "My Generation" make that obvious). That approach ensures that I Loved Yesterday runs possibility of becoming background sound -- but for the other hand, the grade of the songs is high enough for making the record a superb mood setter, because positive and competent music is, in fact, rarely a bad thing, and "summer" plus "youth" usually equals "a superb time".

Tracklist

  1. Laugh Away
  2. My Generation
  3. Find Me
  4. No Way
  5. Namidairo
  6. Daydreamer
  7. Love Is All
  8. I Will Love You
  9. We Will Go
  10. OH YEAH
  11. My Friend
  12. LOVE & TRUTH
  13. Am I Wrong? 

Pass : YUI

YUI - How Crazy Your Love Full Album


The wonderful Japanese Singer and Songwriter released her 5th studio album, How Crazy Your Love on November 2nd, 2011. As always, most major album or singles releases also come in either a regular edition or possibly a limited edition. What make’s this blog special will be the content on the special. The complete Hong Kong show with this past the summer months are included together with a short documentary showcasing her quantity of Hong Kong.

The album begins with Hello!, the theme song for Paradise Kiss released come early july. This upbeat track is a superb way to start the 5th album in an instant and really sets a bad for what is always to come. Separation is catchy soft rock song. I personally found the chorus somewhat of a let down than the rest of the track. Get Back Home follows and it's also a mid tempo’d ballad. As always, YUI’s voice is excellent on these soft ballads, the lead guitar and piano tracks really jump out here. Lock On could be the “lead song” with this album as it would be the opening theme for your jDrama, Kaito Royale. What stands out could be the very catchy chorus in addition to the trumpets conducive into it. The next track that follows is U-niform. In my mind, it was kind of a dissatisfied. It features upbeat acoustic guitars, and almost brings back the classic YUI feel from her debut. Cooking may be the next track. This song features a heavy affect string instruments, associated with YUI’s soft vocals, its quite the tune. A up beat pop rock track follows the ballads in RAIN. This song, released to be a single this season is catchy. I personally love this song a great deal. An interlude provides for us a break. This track titled Goodnight can be a short piano ballad. The next track will be the b-side incorporated with the Hello single titled YOU. I personally not much of a big fan in this song, but YUI’s voice really shines here. It’s My Life follows. This was an individual from recording. Its an exceptionally upbeat track having a heavy SKA influence! I really take pleasure in the brass instruments which are featured here as it truely does work very well using the song. No Reason is an excellent upbeat pop song here. Nobody Knows may be the second last track about this album and it also does the job being a great soft rock tune. To end the album, Green A.Live is chosen because the last track, and that is her last single.

The DVD content as said from the intro would be the complete concert from Hong Kong trapped on tape. What I can tell is that YUI’s singing has greatly improved over time. Already, you are able to tell that performance was high quality. I personally believe that show was much better than the one featured in the Hotel Holidays from the Sun live DVD released recording.

To end, this album is solid, and intensely shows that YUI’s music is evolving using the times. She again finds new approaches to incorporate different styles and sounds into her music to supply her a fresh voice. The exclusive edition content is well worth the price of the album alone!

Tracklist

  1. HELLO
  2. Separation
  3. Get Back Home
  4. Lock On
  5. U-niform
  6. Cooking
  7. Rain
  8. Good night
  9. YOU
  10.  It’s My Life
  11.  no Reason
  12. Nobody knows
  13. Green a.live

Pass : YUI

YUI : Holidays In The Sun Full Album


Tracklist :

1. To Mother – a piano ballad from yui. She released this song like a single before this album to enter the world. This song will be the pioneer of evidence that yui is actually a versatile musician. She’s tinkering with instruments in this particular album too. This song would have been a perfect song for mother’s day but yui released it right after the day. She commented for this song that the been quite some time she wrote for herself and she or he wrote to contributing to her mother hence the title. She maybe feeling homesick or nostalgic with this one when she wrote it. The song incorporates a good melody that come with it giving the song a good soft piano ballad feeling…

2. Bgain – The first song she released after having her hiatus and would be the OP song in the late epic great anime Fullmetal Alchemist: Brotherhood, which now follows the manga story and it also was really a lot better than the old one(may have a review upon it soon if i have time). This song contains proof than yui will make, write, compose just about any music and fasten her trademark impression of her. The first time i heard this, i had been like,” wow, this sort of kick ass song to be with her comeback!” Apparently too, with this song, she will sing stressful too like rapping but incorporates a wonderful melody…

3. Parade – Now this some tips i call relaxing summer beach music. Accompanied by percussions and accordion effects on keyboards, the song sense that a holiday in Paris or outing in a very summer sunny beach. Holidays within the Sun indeed. One in the best relaxing songs inside the album.

4. Es.car – a rock-ish song using a touch of strings and keyboard piano. This song reminds of her debut album “From Me to You”. The way she sings plus the feel with the song, brings me back when initially when i first time i heard yui’s album. The piano solo also from the bridge is wonderful to see. She is really experimenting on putting more instruments on her behalf songs.

5. Shake My Heart – Another song having a summer beach or European vacation feel. Of course, the song is actually relaxing too. The chorus is that has a choir. She also added her newly addicted instrument which may be the Shaker, a smaller object produces a “maracas” sound when you finally shake it… This song can also be varies from her style. When i pay attention to this song, i'm at peace and wish to take a vacation at the tranquil beach.

6. Gloria – The song she released at winter season which really seems like a winter song. She just added the song inside the album because its among her singles. Another good song from her, this her 2nd song since she gathered a great female band as her back-up band and has a definite keyboardist. So almost all of her songs next has keyboards inside. Loved the way in which she adds the keyboards, made her songs more textured.

7. I Actually Do It – This the song she wrote for your girl band trio “Stereopony” when she is at hiatus. Lucky for your singer in the band Aimi, the big fan of her. She just reached visit the sony studio the location where the girl band was recording. They were introduced and within the end, they jammed making it a new song. Stereopony released the song afterwards but yui as song writer credit. So basically, vid self cover of her song she wrote for an individual or band. She derived several beats and rhythm riffs to be with her version, but overall, both versions rock.

8. Please Stay With Me – Another song that reminds her old-style. This song really reminds of her song “Tokyo”. This song can be used being a theme of your Japanese Rom-Com Drama Series called “Natsu no Koi wa Nijiiro ni Kagayaku” meaning Summer Romance Shines a Rainbow Color featuring Matsu Jun, a lover girl material actor when he is super duper handsome, however for me, i liked the drama on account of yui’s dear friend Yuko Takeuchi(Closed Note, Sidecar ni inu, ima, Ai ni Yukimasu).

9. Summer Song – A very old song of hers. This was this is not on the 2nd album given it was released after. Then yui announced her hiatus after releasing My Short Stories, “a best of” album containing the many b-sides(other songs that has been put to be with her singles) she released. She is one the youngest and earliest release a a “best of” album inside the Japanese Music industry. The song has indeed an understanding of summer. This is perfectly added using a summer themed album. This song apparently is like a sequel of her song Laugh Away.

10. Cinnamon – This song singing style can also be the same back inside the “From Me to You” days. The song includes a unique melody too. A cheerful song too. Apparently the song also includes a summer feel although its a little bit stressful. More textures too within the song because with the keyboard.

11. Driving Happy Life – Her “happiest” song in the album which can be her trademark in most album. A lively feel song thats best for running. Also this can also be a good driving song. Can imagine driving over the sea in the side with the windows open feeling the sea breeze. while enjoying this song. Cheerful summer themed song.

12. It's Way Too Much – This song was implemented as the theme song from the movie “Kaiji: Worlds Greatest Gambler”, which really was awesome. Actors in the live action movie of Death Note once more together within this remarkable movie, in addition to “Never say die” song. This song’s PV showed once yui to put it briefly hair(she was cute with this one) along with the first song with an exciting female band. This song is pure awesome. Killer guitar riffs and wonderful keyboard accompaniment.

13. Kiss Me – Another song from her thats stuck just using her first album. A yui love song the good news is very textured by various instruments.

Pass : YUI

YUI From Me to You Full Album


Yui is usually a Japanese pop singer who comes from Fukuoka, Japan. She sings, plays beginners guitar, and began writing poetry inside the ninth grade. Aspiring to be a professional musician, Yui began carrying around her guitar and singing for the sea shores of Shingu and also the rice fields of Kaminofu.

From Me to You is Yui's debut album, released on February 22, 2006. Since then, it is selling rather effectively, reaching 9th around the weekly most sold album charts. Currently, the girl with on a nationwide tour promoting her new album.

One reason the album has been doing so well is simply because Yui's voice, basically, is beautiful. Her voice is solid and she or he displays great mastery in switching between her powerful voice and her wispy and raspy styles, especially before she rips in to a chorus. Her voice does seem like a young girl's on occasion but given that the girl with only nineteen it's actually not that big of an deal and radiates a much more natural feel. Yui's voice just isn't overproduced, starting a "live" feel, as though jane is really soaking in your lounge singing.

Yui's songwriting is actually superb. Her lyrics are fantastic, and her choruses are extremely powerful, they'll haunt you inside your sleep for the following six months. Doubtful? Give a hear "Merry Go Round" or "Feel My Soul," songs that begin slow until they hit the chorus after which explode. Yui includes a definite talent for writing sensational vocal hooks in her own repertoire. The song "I Know" has among the catchiest vocal intros ever. Her slow ballads may also be full of emotion, "Tokyo" and "Blue Wind" are songs that can, undoubtedly, tingle your spine. Yui proves that music is really universal. It doesn"t matter should you choose or don"t understand Japanese, because after you hear her sing, you will understand her songs on the heart, and within the end, that's all that matters.

From Me to You is often a pop album, however, you'll find definite roots embedded deeply in rock. Although, the tunes is played out by studio musicians, Yui writes the tunes and lyrics, and continues playing her electric guitar at gigs.

The music with this album is brilliant. Unlike many pop acts inside the States in which the percussion is either a machine or maybe a musty musician, the drums about this are definitely not stale. Drummer Masayuki Muraishi, incorporates ghost notes, doubles, buzz rolls, as well as other hi-hat syncopations with the assortment of crash accents into simple beats, which make the drums roar alive! The bassist, Tatsuhiro Endo, syncs while using drums to experiment with a vivid purring intro in "Just My Way" and plays marvelous fills throughout "Life." Hideyuki Suzuki, plants simple but spectacular guitar solo’s in numerous songs through the album; his intro to "Spiral and Escape" is usually very simple but astonishingly catchy. These musicians play off 1 another extremely well, each complimenting the mediocre ones style while supporting Yui"s stunning vocals.

If you ever see this album, buy it. Even if you haven't ever listened to a pop album inside your life. Even if all you could ever hear is death metal. Buy it. Download it. Steal it from a friend. However you must obtain it, obtain it. This is any particular one hidden album sitting with a shelf worth lots of times over its shop price.

Tracklist
  1. Merry Go Round
  2. Feel My Soul
  3. Ready To Love
  4. Swing Of Lie
  5. Life
  6. Blue Wind
  7. I Can’t Say
  8. Simply White
  9. Just My Way
  10. Tomorrow’s Way
  11. I Know
  12. Tokyo
  13. Spiral & Escape
Pass : YUI

YUI : Green Garden POP Full Album


Yui (born March 26, 1987), stylized as YUI, is really a Japanese singer-songwriter, multi-instrumentalist, and actress. Born and raised in Fukuoka prefecture, she played live at various locations in the hometown before being noticed by Sony Music Japan when she was 17 years of age, and released her debut single months later. However her singles were only met with moderate success until her breakout "Good-bye Days", which charted for 44 weeks on Oricon and marked her as the Japanese music industry's rising stars.

Since her debut album, From Me to You, everyone of her albums has topped the charts, and possesses had no less than one single reach # 1 yearly since 2007, including five directly from mid-2008 to late-2010.

She is popular in Japan along with surrounding countries, ranking number 1 in 2011 Count Down TV "Dearest Female Artist" and Music Station "Artist You Most Want to Marry" polls, along with Radio Television Hong Kong's "Most Popular Japanese Artist".

Tracklist

  1. HELLO
  2. How crazy
  3. Again
  4. LIFE
  5. Laugh away
  6. My Generation
  7. Shake My Heart
  8. Rolling star
  9. Namidairo
  10. I do it
  11. I remember you
  12. Green a.live
  13. It’s all too much
  14. Please Stay With Me
  15. Fight
  16. Your Heaven
  17. YOU
  18. Good-bye days

Pass : YUI

YUI : Can’t Buy My Love Full Album


Can't Buy My Love could be the second album of Japanese singer and songwriter Yui. The album was published 4 April 2007 and reached No. 1 within the Oricon charts.

The album title, Can't Buy My Love's message is "Ai suru mono ni wa kantan ni wa yuzurenai" (愛する ものには 簡単には 譲れない) which implies in English "I can't easily give over things that I adore."

Tracklist
  1. How Crazy
  2. Rolling Star
  3. It’s All Right
  4. I Remember You
  5. RUIDO
  6. CHE.R.RY
  7. Thank You My Teens
  8. Umbrella
  9. Highway Chance
  10. Happy Birthday To You You
  11. Winding Road
  12. Good-bye Days
  13. Why?

Track commentary:

1. How crazy – Ah! The ‘rebellious’ tabs on the album. That is, by YUI’s usually squeaky-clean standards. Just, y’know, ‘don’t talk just like you know me’. That kind of thing. Still quite catchy – she proves her capability to sing fast without tripping over syllables, basically. I wish she’d release an acoustic version with this.

2. Rolling star – This was one of several ending themes for popular anime Bleach, and it also brought her more fame, which can be always good. Her first single with the electric guitar. Not my personal favorite song of hers, but it’s quite unique to be with her.

3. It’s alright – Ah! I find this song cute. :3 Acoustic guitar-based. Very… reassuring.

4. I remember you – I love this song. :3 It’s much like the single version, just the same. Easy to play, as well as simple on the ears. Can’t fail with this. Reminds me of Taiyou no Uta .

5. RUIDO – This is doubtless the best song about the album. Electric guitar-based, /very/ fast as well as short. Fifty one seconds, if I remember right. They kept it this short to ensure it’d sound cooler. Ridiculously all to easy to play also.

6. CHE.R.RY – The killer song. It’s one of the most cheerful thing I’ve have you ever heard from her – it’s about love. Happy, satisfied love. Uhh… It’s very, very brain-numbing, and also on first hearing, it’s nothing special. Two hours later, when it’s resounding in your mind, you’ll aim for a nice hard, flat work surface nearby to bang your forehead on.

7. Thank you My teens – The most heartfelt song for the album – provided by YUI for my child fans. YUI’s fanbase has lots of teenagers, all things considered. ‘Thank you for supporting me this far.’ Something this way?

8. Umbrella – Starts by having an interesting acoustic arpeggio. Nothing really special over it, though.

9. Highway Chance – I like how the song starts. Slow and quiet – and so the drums and various guitars come crashing in, and you also jump skyhigh.

10. Happy Birthday To You You – My question for you is, why two ‘you’s? It’s happy and upbeat, though. I would listen to it for any guys having a birthday.😄 But then again, I’m notoriously lame prefer that.

11. Winding road – I heard a rumour this was about the soundtrack of some movie or another, but I couldn’t believe it is. Anyway, I like this song. It has nice chord sequences that I approve of.

12. Goodbye Days – One of the best songs from her. I never get fed up with it because I associate the movie together with the song, and after that I want to start crying in the instrumental break. =_= Yes. If you already know just this song, watch the movie too – then you’ll have fun here even more. I can realize why she usually starts crying if she creates this change song live.

13. Why? – Very standard YUI ballad. Nice and deceptively simple plucking during the entire first half the song.
Pass : YUI

Taylor Swift – Red ( Full Album )


Review

Red is usually a 16-song geyser of willful eclecticism that's only tangentially associated with Nashville (similar to Swift herself at this stage). The album pinballs through the U2-tinged liftoff of "State of Grace" on the dubstep-y teen pop of "I Knew You Were Trouble" to "The Last Time," an unfortunate piano duet with Gary Lightbody of Snow Patrol. Swift's bedrock is driving, diaristic post-country rock – begin to see the breakup flashback "All Too Well," where she drops the fantastic image of "dancing throughout the kitchen from the refrigerator light" with your ex ex.

Part on the fun is watching Swift find her pony-footing on Great Songwriter Mountain. She often succeeds in joining the Joni/Carole King tradition of stark-relief emotional mapping: "Loving him is similar to trying to change your mind once you're already flying with the free fall," she sings within the simile-monsoon title track, where banjos and vocoders write out like third cousins. But whether she's real-talking Jake Gyllenhaal ("We Are Never Ever Getting Back Together") or fantasizing about crashing "a yacht-club party" that sounds uncannily such as Kennedy bash she attended together with her current future-ex-boyfriend Conor ("Starlight"), her self-discovery project is one on the best stories in pop. When she's really on, her songs can be like tattoos.

Tracklist
  1. State Of Grace
  2. Red
  3. Treacherous
  4. I Knew You Were Trouble
  5. All Too Well
  6. 22
  7. I Almost Do
  8. We Are Never Ever Getting Back Together
  9. Stay Stay Stay
  10. The Last Time (Feat. Gary Lightbody Of Snow Patrol)
  11. Holy Ground
  12. Sad Beautiful Tragic
  13. The Lucky One
  14. Everything Has Changed (Feat. Ed Sheeran)
  15. Starlight
  16. Begin Again


Isyana Sarasvati – Explore (Full Album)


To a trained listener, the arrival of Isyana Sarasvati shouldn’t be described as a surprise. In a pop scene stuffed with young, and seemingly gifted soloist like Raisa and Tulus, 22 yr old Sarasvati have been cut on the same cloth. Attractive and packagable, could be the two word that probably entered Sony Music Indonesia’s head honcho whenever they first spot Sarasvati. And yet, looking a bit deeper there’s clearly something a little more about this one.

Isyana Sarasvati is undoubtedly an oddity. She’s really the only pop musician in Indonesia, or maybe even in your neighborhood, with degree in music and scholarship to examine in The Royal College of Music in London. Local media called her a breath of outside; a pop artist with High a higher level skill, taste and experience. In fact, considering her Wikipedia page, one could imagine that they’re considering an opera singer instead of a singer which has a very popular hit single.

This contrast clearly shows in their debut album, and her seek to bridge the dichotomy between her past and doubtless her future, makes Explore (2015; Sony Music Indonesia) an intriguing album to analyze.

Tracklist

01. All or Nothing
02. Keep Being You
03. Tap Tap Tap
04. Mimpi
05. The Way I Love You
06. Tetap Dalam Jiwa
07. All Over Me
08. Kau Adalah (feat. Rayi Putra)
09. Di Batas Waktu
10. Pesta

Taylor Swift - Taylor Swift 2006 Full Album


All of 16 when she recorded this debut album, country-pop singer Taylor Swift's considerably strong voice straddles that precarious edge that both suggests experience far beyond her several simultaneously leaves undoubtedly that she's still got a great deal of life to reside. It's a fresh, still girlish voice, packed with hope and naïveté, but it is also a confident and mature one. That Swift can be a talent being reckoned with isn't in doubt: her delivery on tracks such as uptempo "The Outside," the spare acoustic ballad "Mary's Song (Oh My My My)," and also the leadoff track, "Tim McGraw," that was the first single in the album, belongs to a seasoned pro, despite Swift's newcomer status. "Tim McGraw" are often the album's highlight -- not only a teenager's tribute to your country superstar, it instead uses McGraw like a marker in the lover's time line: "When you imagine Tim McGraw/I hope you would imagine my favorite song." It's a device that is used countless times in as much ways, those of associating a failed affair with items, places, the ones, yet it works to be a hook here and is able to come off for an original idea. Swift wrote or co-wrote every song within the record, a rather remarkable feat taking into consideration the sophisticated procedure by which she treats matters near and dear to your heart of 1 her age ("Now that I'm sitting here thinking it through/I've never been anywhere cold as you"). Producer/mentor Nathan Chapman has used on some of Swift's songs a gloss that doesn't all of them really require and in many cases would learn better to shed. But Swift doesn't have trouble overcoming any blandness going down around her. She's create a commendable starter album that's as accomplished each and every by a ten-year veteran who's seen far more road and felt additional emotion. Swift's young age can be a major priority in bringing listeners in, but right at the end of the record she's succeeded to keep them.

Track List:

01. Tim McGraw
02. Picture to Burn
03. Teardrops on My Guitar - (Radio Single Version)
04. Place in This World, A
05. Cold as You
06. Outside, The
07. Tied Together With a Smile
08. Stay Beautiful
09. Should've Said No
10. Mary's Song (Oh My My My)
11. Our Song - (Radio Single Version)

Taylor Swift - Beautiful Eyes Full Album


A mere blip for the radar in comparison to Swift's other releases containing decent attempts at refining her sound

Believe it or otherwise not, Taylor Swift wasn’t always the media juggernaut she is today. Although she was popular determined a crossover hit with “Teardrops in my Guitar” it didn’t appear like she would ever progress past not a precocious teen using a knack for writing decent hooks. Apparently Big Machine Records thought a similar thing because immediately after her first nationwide tour, her label made her produce another EP of songs both new and re-mastered. The entire goal ended up being keep insatiable fans’ appetites whetted until her proper follow-up album, and it also’s obvious which the EP is undoubtedly of lesser quality than her previous material. It wouldn’t be considered a stretch to label this a money grab, but Swift is undoubtedly oblivious, writing catchy new material and providing new looks on a few of her previously released hits.

Swift obviously still were built with a lot of identifying to do when she recorded this record and it also shows. Her songs still show a distinctive balance between pop and country but jane is still struggle to straddle the queue while excelling equally at both. Even on Taylor Swift it absolutely was apparent that Swift’s music was more accessible and refined in the event it contained a pop edge as an alternative to just country instruments. However, perhaps in an effort not to ever alienate Swift’s biggest market right at that moment, Beautiful Eyes is a half-and-half assortment of both straightforward pop cuts and country accented anthems for your Shania Twain crowd. The most evidently country influenced song, “I Heart ?” is usually the least appealing and interesting song available here. And, unfortunately, half the songs which can be found here aren’t original tracks. These songs turn out to be useless as they’re just alternate versions from the songs that her fans already adore. Had she included new material, for example non-album track “I’d Lie” the album this EP could’ve been a substantial addition to her catalogue. As it stands, however, it’s pretty unnecessary for anybody outside of a die-hard to obtain.

The previously unheard material is vintage Swift back with her innocence prevailing over her future bitterness and anger. At the ripe era of 17, it seems as if she really has hope of finding love and allows herself to become caught off guard by boys with beautiful eyes and nice smiles. Claims like “I’ve got an I heart question mark/ written within the back of my hand” seem brazen and vengeful as compared to the rest from the material on here while if she stated that today, nobody would bat an eyelash. One thing which can be said about it EP is the fact that it’s the very first, and just, time that Swift allows herself for being happy and free of anxiety. Her persona within the EP is her at her most human; she genuinely does sound like she might be the shy girl while using locker near to yours that writes poetry in the free time. If nothing else, this release succeeds for making Swift a lot more relatable than any other time and accomplishes this steer clear revenge fantasies but by her letting her guard down and revealing that they really is the same as the rest of us.

Track List :

01. "Beautiful Eyes" (Taylor Swift) (2:54)
02. "Should've Said No" (Alternate Version) (Taylor Swift) (3:46)
03. "Teardrops on My Guitar" (Acoustic Version) (Taylor Swift, Liz Rose) (3:24)
04. "Picture to Burn" (Radio Edit) (Taylor Swift, Liz Rose) (2:53)
05. "I'm Only Me When I'm with You" (Taylor Swift, Robert Ellis Orrall, Angelo) (3:35)
06. "I Heart? " (Taylor Swift) (3:27)

Rihanna - Full Album ANTI 2016


What the hell happened with Anti? Rihanna’s eighth album has been doing works for a year or two, and anticipation did start to skyrocket just around last year as she started releasing singles. There was the acoustic campfire sing-along that brought together Kanye West that has a Beatle, the snoozing ballad that sounded as being a reject from Empire, as well as a raucous powerhouse which has a memorable video of Rih covered in blood while murdering her accountant. None of such singles are here. She officially announced the album in November, launching a few increasingly convoluted interactive apps with Samsung, every major holiday was full of rumors it would emerge. It finally arrived on the Wednesday afternoon in late January, seemingly mistakenly posted on TIDAL, the Jay Z-owned streaming service that Rihanna has played a sizable role to promote since its launch recently. It was removed within minutes, and after news which it would be a TIDAL exclusive, was released online, bypassing the existing infrastructure big and delivering it right to a million fans.

After nearly per year of buzz, debate, and speculation, Rihanna’s decision to pretend 2015 never happened could have been the best thing she can have done for Anti. Leaving out those singles keeps Anti from feeling stale, making for a disorienting listen. Similar to Beyoncé’s 4, Anti is undoubtedly an example of most significant pop stars on this planet subverting expectations by releasing an album of disparate styles, including old-school soul and dancehall to funk and psych rock. Few tracks seem tailored towards the radio. There’s nary a “Diamonds” or “Love the Way You Lie”, not to say a “Bitch Better Have My Money”. Instead, Rihanna made an album that has a minute-long approximation of the very most recent Thundercat record plus a cover of an Tame Impala song not few months old.

Some artists try so desperately to act like they don’t supply a fuck who's becomes transparent. Rihanna just isn't one of them. Her flaunting of guidelines got her infamously banned from Instagram not too long ago. She’s a fashion icon, with every choice both baffling and supremely sign of her personality. She’s carried that attitude to her musical work, making decisions in regards to the songs around the album and it is rollout so recklessly that they can almost border on self-sabotage. Because jane is Rihanna, she pulls it well, crafting a work certainly where an Sam Cooke-style ballad can fit alongside a lurching, nocturnal electronic track co-written by The Weeknd and Travis Scott without tonal whiplash. The pieces might not fit together neatly, but Anti is clearly the album Rihanna planned to make.

The absence of pressure to produce radio hits makes Anti a vast improvement over the more formulaic approach of her last two records. While you'll find certainly missteps just like the bland “Never Ending”, the Rihanna of 2010 wouldn’t release a smooth, understated R&B jam like “Yeah, I Said It” or even a down-tempo dancehall cut like “Work” because official lead single. Part of which can be due to shifts within the landscape. If Justin Bieber can score winner single having a watered-down version in the genre, surely the artist who wrote “Pon De Replay” can strike gold off of the public’s recent interest. The approach excels, specifically in moments like “Higher”, a thunderous ballad where she pushes her vocal prowess past its breaking point, packing an album’s in stunning moments into two minutes. Rihanna was not ever indulgent, but four songs underneath the three-minute mark, she can give adequate while leaving ’em wanting more.

It likewise helps that Rihanna is in fact the only voice present on Anti. Drake fits his verse in nicely, conceding the spotlight enough in order that he doesn’t cannibalize the track. The only other feature about the record is SZA, who results in a formidable partner about the lush opener. While hearing Rihanna faithfully reinterpreting Tame Impala on “Same Ol’ Mistakes” is initially jarring, she owns the self-reflection well and truly helps it be her own. Anti is Rihanna’s show, and she or he certainly doesn’t require the help.

Midway through, over an uncharacteristically choppy DJ Mustard beat, Rihanna pens the best kiss-off for an ex around the masterful “Needed Me”. Alternating from the swooning chorus and aggressive flows for the verse (while using quintessential Rihanna lyric: “Didn’t they convince you I was a savage?”), Rihanna helps it be clear the former beau screwed up. The best song around the album, it seems like Rihanna’s revealing the fourth wall. Up to 2012, Rihanna released albums almost annually. Now which it’s been over 3 years without her, she's made it clear how vital jane is to the actual state of pop music. Anti takes risks and disregards convention in ways that only a true superstar like Rihanna could do.

Tracklist

01. Consideration (feat. SZA)
02. James Joint
03. Kiss It Better
04. Work (feat. Drake)
05. Desperado
06. Woo
07. Needed Me
08. Yeah, I Said It
09. Same Ol’ Mistakes
10. Never Ending
11. Love On The Brain
12. Higher
13. Close to You

Rihanna - A GIRL LIKE ME 2006 Full Album


When Rihanna hit the earth running in 2005, she devoted many her music towards various styles. A blending of styles gave her a fairly distinct sound, set her up, and provided her with something to aspire towards in the second record, which came pretty quickly after her first, despite her continual touring. Of course, her first record was commercially quite successful, so naturally you’d expect similar material to litter the 2nd album – and yes it does, just about all comes with some very memorable moments.

The album opener, “SOS” is a second exploitation of Soft Cell’s 1981 rendition of Ed Cobb's “Tainted Love.” Of all the cover versions that seek to replicate the prosperity of Soft Cell’s, Rihanna’s is among the better ones. Why? Because it’s not really a bastardised version seeking to claim success on the exact same song structure. “SOS” usually is a good combination of Rihanna’s “Pon De Replay” like rhythms, and Soft Cell’s synth-pop clamour of chords, where the lyrics are actually shifted to suit the theme, and for that reason makes for a superb album initiator.

Music from the Sun (2005) experimented with demonstrate the influence of Rihanna’s musical heritage on the Caribbean, but fell as a result of poor song writing from Evan Rogers and Carl Sturken. “Kisses Don’t Lie” is the best genuine angst driven love song. Sure, it’s nothing new, but it’s still a reasonably catchy cue, which blends both reggae syncopation and R&B.

One problem that immediately pops into your head when listening could be that the first four tracks are the most effective, but everything just falls behind. Whoever decide to put the four best songs first was obviously a moron. If the singles were evenly distributed over perhaps once every three tracks it would give the listener a lot more incentive to hold on listenin’. But without getting too negative, the songs which do fall can offer their moments. Such as “A Million Miles Away,” featuring its calming combination of piano, Rihanna, and emotion, along with the similarly love driven tabs on “Final Goodbye.” Then there is the reggae oriented tracks which taint the center section in the album, causeing this to be album in several ways, more reggae influenced then her earlier effort. The songs aren’t amazing, but show an improved progression from your two major songwriters, Sturken and Rogers.

The other two great instalments came from here are obviously, “Unfaithful,” and “We Ride.” While the vocal performance on Unfaithful may become a bit irritating, it’s still definitely worth the listen, even so the lyrics don’t really take into account the emotion, whoever thought Rihanna would ever consider herself a murderer? Then there is the road-trippin’ roll-off part of We Ride and that is certainly second best to “SOS.”

Like Music in the Sun, this album ends pretty badly. "A total anti-climax" is the thing that “If It’s Lovin’ That You Want” should have already been called. But I suppose albums in this way don't exactly have to help keep up the pace at this kind of late stage on the disc. It’s tough to pinpoint why the album kicks a unique goals, and easily lets other through irresponsibly. There are many reasons why the album could possibly be interpreted as bad, a sizable a lot that might be attributed to proficiency from her. What ever the reasons why, A Girl Like Me, is still quite a good pop album, which certainly creates better listening then her first album.

Track List

  1. S.O.S. (Rescue Me)
  2. Kisses Don't Lie
  3. Unfaithful
  4. We Ride
  5. Dem Haters
  6. Final Goodbye
  7. Break It Off
  8. Crazy Little Thing Called Love
  9. Selfish Girl
  10. P.S. (I'm Still Not Over You)
  11. A Girl Like Me
  12. A Million Miles Away
  13. If It's Lovin' That You Want (Part 2)
  14. Who Ya Gonna Run To?

Nicki Minaj - LADY PENELOPE 2016 Full Album


Minaj is advisable known for her unique combination of hip hop and R&B, which saw her peak to #1 in the US charts for Pink Friday. The Album also reached Platinum status. Beta Recordings individual John B is proud to own been part of it! Known for its famous heavy motorbike synth and trance piano, Red Sky suits perfectly because the backing track to Minajs vocals in her own personal song, Here I Am. Listen below to listen for both tracks and continue with the links to obtain Red Sky plus much more tracks on John B?s latest album Light Speed. In that short a few seconds, you're able to watch the 2 main eat hamburgers, chill in swimwear, dance constantly, laugh like friends do, and earn fake mustaches making use of their hair. Basically, it's everything fans have already been waiting for. Again, people who don't have Tidal are usually going to be upset they can not watch the entire video.

Track Listing 
  1. Pampered
  2. Dial Tone
  3. Pink Sky
  4. Mini Min
  5. Cant Find It
  6. Fast Forward
  7. Lady People
  8. Pain It Pink
  9. Electrocution
  10. Cats Eyes